Novo Latino

A Modern Latin for the Digital Age

Classical Elegance • Modern Simplicity • Universal Communication

Welcome to Novo Latino

Novo Latino is a carefully designed modernization of Classical Latin, blending the timeless elegance of the ancient language with the practicality and accessibility of modern Romance languages. Created for scholars, translators, educators, and language enthusiasts, Novo Latino preserves Latin's rich heritage while making it approachable for contemporary learners and speakers.

Drawing inspiration from Spanish, Italian, and other Romance languages, Novo Latino features simplified grammar, regularized conjugations, and a logical system that honors Latin's classical roots while embracing modern linguistic innovations. Whether you're translating sacred texts, creating educational materials, or exploring constructed languages, Novo Latino offers the perfect bridge between classical tradition and modern communication.

Simplified Grammar

Three regular conjugations with unified past and future forms, making learning and usage intuitive for modern speakers.

Romance Integration

Familiar vocabulary and structures for speakers of Spanish, Italian, Portuguese, and other Romance languages.

Classical Heritage

Maintains the dignity and elegance of Classical Latin while removing archaic complexities.

Practical Application

Designed for real-world use in translation, education, and cross-cultural communication.

Novo Latino Translation Guide

I. PURPOSE

This guide establishes standardized rules and stylistic principles for translating texts into Novo Latino, a modernized form of Latin inspired by Classical Latin and Romance languages. It provides:

  • Grammar conventions based on the Novo Latino system
  • Registers for different use cases (sacred, literary, conversational)
  • Stylistic and phonological norms
  • Examples and vocabulary alignment

II. REGISTERS AND USE CONTEXTS

1. Sacred & Liturgical Register

  • Formal, solemn tone
  • Use of past narrative tenses (creava, esava)
  • Ordinal numbers (e.g., il primo dia, not uno dia)
  • Verb aspect to reflect biblical Hebrew (e.g., facta es, fecit)
  • Retain phrases like Fiat lux or optionally Faca se lux for divine emergence

2. Conversational & Educational Register

  • Simplified present and future tense
  • Use of SVO word order consistently
  • Focus on learner readability (fewer reflexives, shorter clauses)
  • Use cardinal numbers (uno, duo)
  • Present tense preferred unless emphasizing time

3. Literary Register

  • Blend of poetic and formal features
  • Limited, strategic use of participles
  • Greater freedom in reflexivity and inversion
  • Optional macron use for poetic rhythm

III. GRAMMAR AND MORPHOLOGY RULES

1. Verb System

  • Three regular conjugations: -are, -ere, -ire
  • Unified past: -ava, -eva, -iva
  • Unified future: -ara, -era, -ira
  • Subjunctive: -e, -es, -en (rare, optional)
  • Past participles: -ato, -uto, -ito
  • Verb "to be": esar (replaces ser/estar)

2. Pronouns and Articles

Articles:

Type Masculine Feminine Neuter
Singular il la lo (abstract)
Plural li las

Pronouns:

  • Subject: ego, tu, ille/la, nos, vos, illi/las
  • Object: me, te, le/lo/la, nos, vos, les
  • Possessive: mio, tuo, suo, nostre, vostre, loro

3. Nouns and Adjectives

  • Nouns: Romance-style endings, regularized plurals (-o/-a-os/-as)
  • Adjectives agree in number/gender: bon can, bona casa, boni libros
Gender Neutrality: Novo Latino achieves gender neutrality through -e endings as well as inherited words like Patre (parent/father), Matre (parent/mother), Libre (free person), etc. These inherited forms maintain their classical -e endings and can be used in gender-neutral contexts, or via rephrasing with lo forms.

4. Numbers

  • Ordinals (for narrative/liturgical use): primo, secundo, tercio, quarto...
  • Cardinals (for general use): uno, duo, tres, quatro...

5. Macrons and Phonology

  • Macron use is optional and used to disambiguate homonyms, highlight long vowels in learner material, and for poetic rhythm (e.g., tērra, hōmo)
  • H is always pronounced (/h/)
  • J is always /j/ as in yes
  • Stress falls on the penultimate syllable unless marked

IV. EXAMPLE: GENESIS 1:1–3 (Three Styles)

A. Sacred Register

In il principio, Deus creava li celos et la tērra. Et la tērra esava sine forma et vacua... Et Deus dixit: "Faca se lux!"

B. Conversational Register

En il principio, Deo crea il cielo et la terra. La terra era vacua... Deo dice: "Que luz apare!"

C. Literary Register

In principio, Deo fecit il celos et la terra. Terra esava formless et obscura... Deo parla: "Fiat lux."

V. BEST PRACTICES FOR TRANSLATORS

  • Be consistent in article and pronoun use
  • Prefer full words over contractions (no enclitics)
  • Use Romance derivations where Classical Latin is obscure
  • Use participles for passive only if necessary
  • Translate idioms idiomatically (not word-for-word)
  • Reflexives should mirror Romance logic but not be overused
  • Adverbs may be formed using -mente (optional), or from classical stems (e.g., bene, male, nunc, tunc, semper, postea, hodie, cras, heri)
  • Gender neutrality can be achieved through -e or lo forms, including inherited words like Patre, Matre, Libre, or via rephrasing
Essential Dictionary - 1,000 Words

Usage Notes

  • H is always pronounced as aspirated /h/ (like English "home")
  • Macrons (¯) indicate long vowels for disambiguation: ā, ē, ī, ō, ū
  • Gender markers: (m.) = masculine, (f.) = feminine, (n.) = neuter
  • "Sii" (yes) is spelled with double-i to distinguish from "si" (if)
  • Articles: il/li (m.), la/las (f.), lo (neuter abstract)
  • Pronouns: Use illa (she), illas (they-f.) to distinguish from articles
  • Possessives: tuo (your-informal), vostro (your-formal) vs tu/vos (you)
  • Formality: tu/te/tuo (informal), vos/vos/vostro (formal/plural)
  • Ending System: -o (masculine), -a (feminine), -e (inherent/classical gender), -u (neuter)
English Spanish Classical Latin Novo Latino
ARTICLES & PRONOUNS (30 words)
the (m. sing.)elilleil
the (f. sing.)laillala
the (m. pl.)losillili
the (f. pl.)lasillaelas
the (neuter)loilludlo
a, an (m.)ununusun
a, an (f.)unaunauna
some (m.)unosquidamunos
some (f.)unasquaedamunas
Iyoegoego
you (sing.)tutu
heélilleille
sheellaillailla
wenosotrosnosnos
you (pl./formal)vosotros/ustedvosvos
they (m.)ellosilliilli
they (f.)ellasillaeillas
memememe
you (obj.)tetete
him/her/itlo/la/leeum/eam/idle/lo/la
usnosnosnos
you (pl. obj.)os/levosvos
themlos/las/leseos/eas/eales/los/las
mymimeusmio
your (informal)tutuustuo
his/her/itssusuussuo
ournuestronosternostro
your (formal)su (de usted)vestervostro
theirsu (de ellos)suusloro
PREPOSITIONS & CONJUNCTIONS (25 words)
of, fromdede, exde
in, intoeninin
to, towardaadad
through, byporperper
withconcumcon
forparapropro
underbajosubsub
abovesobresupersuper
beforeantesanteante
afterdespuéspostpost
againstcontracontracontra
withoutsinsinesine
betweenentreinterinter
aboutsobredede
andyetet
oroautaut
butperosedsed
becauseporquequiaquia
ifsisisi
whencuandoquandoquando
wheredondeubiubi
whatquéquidque
whoquienquisqui
howcomoquomodocomo
whypor quécurcur
ESSENTIAL VERBS (50 words)
to beser/estaresseesse
to havetener/haberhaberehaber
to do, makehacerfacerefacer
to goirireir
to comevenirvenirevenir
to seeverviderevider
to knowsabersciresaber
to wantquerervellevoler
to saydecirdiceredicer
to givedardaredar
to taketomarsumeretomar
to getconseguiradipisciobtener
to putponerponereponer
to thinkpensarcogitarepensar
to feelsentirsentiresentir
to lookmirarspectaremirar
to findencontrarinvenireencontrar
to leavesalirexiresalir
to worktrabajarlaboraretrabajar
to livevivirviverevivir
to diemorirmorimorir
to loveamaramareamare
to likegustarplacereplacer
to helpayudaradiuvareadiuvar
to neednecesitaregerenecessitar
to tryintentartentaretentar
to useusarutiusar
to walkcaminarambularecaminar
to runcorrercurrerecurrer
to eatcomerederecomer
to drinkbeberbiberebeber
to sleepdormirdormiredormir
to wake updespertarexpergiscidespertar
to speakhablarloquihablar
to listenescucharauscultareauscultar
to readleerlegereleer
to writeescribirscriberescriber
to learnaprenderdiscereapprender
to teachenseñardocereensēñar
to studyestudiarstuderestudiar
to playjugarluderejogar
to singcantarcanerecantar
to dancebailarsaltarebailar
to buycompraremerecomprar
to sellvendervenderevender
to openabriraperireaperir
to closecerrarclaudereclauder
to begincomenzarincipereinitiar
to endterminarfinirefinir
to understandentenderintelligerecomprende
to rememberrecordarrecordarirecordar
PEOPLE & FAMILY (35 words)
personpersonahomopersona
manhombrevirhomo
womanmujermuliermulier
childniño/niñapuer/puellanino/nina
babybebéinfansinfans
boychicopuerpuero
girlchicapuellapuella
fatherpadrepaterpater
mothermadrematermater
sonhijofiliusfilio
daughterhijafiliafilia
brotherhermanofraterfrater
sisterhermanasororsoror
grandfatherabueloavusavo
grandmotherabuelaaviaavia
uncletíoavunculusavunculo
aunttíaamitaamita
cousinprimo/primaconsobrinusprimo
husbandesposomaritusmarito
wifeesposauxoruxor
friend (m.)amigoamicusamico
friend (f.)amigaamicaamica
neighborvecinovicinusvicino
teachermaestromagistermagistro
studentestudiantediscipulusdiscipulo
doctormédicomedicusmedico
workertrabajadoroperariusoperario
namenombrenomennome
ageedadaetasetate
familyfamiliafamiliafamilia
peoplegentepopulusgente
groupgrupogrexgrupo
teamequipocohorsequipo
guestinvitadohospeshospite
strangerextrañoperegrinusextraneo
Genesis Capitulo I - Sacred Register
⛪ Sacred Register: Formal, dignified language with past narrative tenses and ordinal numbers for liturgical use.
1. In il principio, Deo creava li celos et la terra.
In the beginning, God created the heavens and the earth.
2. Et la terra esava sine forma et vacua, et li tenebras esavan super la facia de li abysso, et il spirito de Deo moveva se super las aquas.
And the earth was without form and void, and darkness was upon the face of the deep, and the Spirit of God moved upon the waters.
3. Et Deo dixit: "Faca se lux!" Et lux facta es.
And God said: "Let there be light!" And there was light.
4. Et Deo vidit que la lux esava bona, et Deo dividit la lux de la tenebra.
And God saw that the light was good, and God divided the light from the darkness.
5. Et Deo vocava la lux "Dia," et la tenebra vocava "Nocte." Et facta es vespera et facta es mañana: il primo dia.
And God called the light "Day," and the darkness he called "Night." And there was evening and there was morning: the first day.
6. Et Deo dixit: "Faca se un firmamento in medio de las aquas, et divida las aquas de las aquas."
And God said: "Let there be a firmament in the midst of the waters, and let it divide the waters from the waters."
7. Et Deo fecit il firmamento, et dividit las aquas qui esavan sub il firmamento de las aquas qui esavan supra il firmamento. Et sic facta es.
And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament. And it was so.
8. Et Deo vocava il firmamento "Celo." Et facta es vespera et facta es mañana: il secundo dia.
And God called the firmament "Heaven." And there was evening and there was morning: the second day.
9. Et Deo dixit: "Congrega se las aquas qui es sub il celo in uno loco, et apareca la terra sicca." Et sic facta es.
And God said: "Let the waters under the heaven be gathered together in one place, and let the dry land appear." And it was so.
10. Et Deo vocava la terra sicca "Terra," et la congregacione de las aquas vocava "Mare." Et Deo vidit que esava bono.
And God called the dry land "Earth," and the gathering together of the waters he called "Seas." And God saw that it was good.

🔧 Updated Vocabulary

  • Deo (was Deus) - God
  • spirito (was spiritus) - spirit
  • homo - man/human
  • celos - heavens
  • con (modernized) - with

⛪ Sacred Register Maintained

  • Past narrative: creava, esava, fecit, vidit
  • Ordinals: primo, secundo, tercio dia
  • Divine speech: "Faca se lux!"
  • Biblical dignity: Formal tone preserved

🎯 Consistent Grammar

  • -o endings: Updated masculine forms
  • -a endings: aquas, stellas, bestias
  • -e endings: genere, mare, nome
  • Clear patterns: Systematic throughout
La Aventura del Cane Perdito - The Adventure of the Lost Dog
📝 Conversational Register: This story demonstrates Novo Latino's informal register with simplified grammar and everyday vocabulary.
Maria es una puella de deci anos. Illa vive in una casa pequeña con su familia. Hodie es un dia multo bello, et illa decide caminar in il parco con su cane favorito, Coco.
Maria is a ten-year-old girl. She lives in a small house with her family. Today is a very beautiful day, and she decides to walk in the park with her favorite dog, Coco.
"Vena, Coco!" illa dice. "Nos imos al parco ad jocar!" Il cane es multo felice et salta de alegria. Ille ha pelo marrón et oculo grande et nigro.
"Come, Coco!" she says. "We're going to the park to play!" The dog is very happy and jumps with joy. He has brown fur and big, black eyes.
En il parco, Maria joca con una pila. Illa lanza la pila et Coco curre para capturar la. Sed quando illa lanza la pila multo lejos, Coco curre et... desaparece!
In the park, Maria plays with a ball. She throws the ball and Coco runs to catch it. But when she throws the ball very far, Coco runs and... disappears!
"Coco! Ubi tu es?" Maria grita. Illa busca por todo il parco. Illa pregunta a otra gente: "Vos ha visto un cane pequeño et marrón?"
"Coco! Where are you?" Maria shouts. She searches throughout the park. She asks other people: "Have you seen a small, brown dog?"
Un señoro gentile responde: "Sii, ego vide un cane cerca del lago. Ille esava jocando con otro cane." Maria curre rapidamente al lago.
A kind gentleman responds: "Yes, I saw a dog near the lake. He was playing with other dogs." Maria runs quickly to the lake.
Al lago, Maria vide tres canes qui jocan in la aqua. Sed Coco no es inter illos. Illa es multo triste et preocupada. "Que voy a facer?" illa pensa.
At the lake, Maria sees three dogs playing in the water. But Coco is not among them. She is very sad and worried. "What am I going to do?" she thinks.
Súbitamente, illa aude un sonido familiar: "Woof! Woof!" Coco es bajo un arbore grande, jocando con un gato pequeño! Il gato es anaranjado et multo amigabile.
Suddenly, she hears a familiar sound: "Woof! Woof!" Coco is under a big tree, playing with a small cat! The cat is orange and very friendly.
"Coco!" Maria grita con alegria. "Tu me hace tanto miedo!" Illa abraza a su cane favorito. Coco lame sua mano et move su cola felizmente.
"Coco!" Maria shouts with joy. "You scared me so much!" She hugs her favorite dog. Coco licks her hands and wags his tail happily.
"Gratias, gato amigabile," Maria dice al gato anaranjado. "Tu cuidava mi cane!" Il gato face "Miau" et frota contra la pierna de Maria.
"Thank you, friendly cat," Maria says to the orange cat. "You took care of my dog!" The cat goes "Meow" and rubs against Maria's legs.
Maria, Coco, et loro novo amigo il gato caminan junto hacia casa. Es un dia perfecto ad facer novo amigo. Desde aquel dia, li tres amigos jocan junto cada dia in il parco.
Maria, Coco, and their new friend the cat walk together toward home. It's a perfect day for making new friends. From that day on, the three friends play together every day in the park.
En il parco, Maria joca con una pila. Illa lanza la pila et Coco curre para capturar la. Sed quando illa lanza la pila multo lejos, Coco curre et... desaparece!
In the park, Maria plays with a ball. She throws the ball and Coco runs to catch it. But when she throws the ball very far, Coco runs and... disappears!
"Coco! Ubi tu es?" Maria grita. Illa busca por todo il parco. Illa pregunta a otra gente: "Vos ha visto un cane pequeño et marrón?"
"Coco! Where are you?" Maria shouts. She searches throughout the park. She asks other people: "Have you seen a small, brown dog?"
Un señoro gentile responde: "Sii, ego vide un cane cerca del lago. Ille esava jocando con otro cane." Maria curre rapidamente al lago.
A kind gentleman responds: "Yes, I saw a dog near the lake. He was playing with other dogs." Maria runs quickly to the lake.
Al lago, Maria vide tres canes qui jocan in la aqua. Sed Coco no es inter illos. Illa es multo triste et preocupada. "Que voy a facer?" illa pensa.
At the lake, Maria sees three dogs playing in the water. But Coco is not among them. She is very sad and worried. "What am I going to do?" she thinks.
Súbitamente, illa aude un sonido familiar: "Woof! Woof!" Coco es bajo un arbore grande, jocando con un gato pequeño! Il gato es anaranjado et multo amigabile.
Suddenly, she hears a familiar sound: "Woof! Woof!" Coco is under a big tree, playing with a small cat! The cat is orange and very friendly.
"Coco!" Maria grita con alegria. "Tu me hace tanto miedo!" Illa abraza a su cane favorito. Coco lame sua mano et move su cola felizmente.
"Coco!" Maria shouts with joy. "You scared me so much!" She hugs her favorite dog. Coco licks her hands and wags his tail happily.
"Gratias, gato amigabile," Maria dice al gato anaranjado. "Tu cuidava mi cane!" Il gato face "Miau" et frota contra la pierna de Maria.
"Thank you, friendly cat," Maria says to the orange cat. "You took care of my dog!" The cat goes "Meow" and rubs against Maria's legs.
Maria, Coco, et loro novo amigo il gato caminan junto hacia casa. Es un dia perfecto ad facer novo amigo. Desde aquel dia, li tres amigos jocan junto cada dia in il parco.
Maria, Coco, and their new friend the cat walk together toward home. It's a perfect day for making new friends. From that day on, the three friends play together every day in the park.

🔧 Modern Vocabulary

  • cane - dog (simplified from canis)
  • parco - park (Romance-style)
  • lago - lake (from Latin lacus)
  • gato - cat (Romance evolution)
  • con - with (modern form)

📅 Simple Tenses

  • es, vive, decide - Present forms
  • curre, salta, joca - Action verbs
  • dice, grita, abraza - Speech and actions
  • Clear, accessible patterns

👥 Informal Pronouns

  • tu/tuo - Informal "you/your"
  • illa - Clear feminine pronoun
  • loro - "Their" (plural possessive)
  • illos - "Those/them" (masculine)

🔤 Consistent Endings

  • -o endings - cane, parco, lago, gato
  • -e endings - grande, amigabile, gentile
  • -a endings - casa, familia, cola
  • Logical, predictable patterns

🗣️ Natural Dialogue

  • "Vena, Coco!" - Simple commands
  • "Ubi tu es?" - Direct questions
  • "Sii" - Natural responses
  • Child-appropriate language

🎯 Novo Latino Features

  • Aspirated H - hodie, hace, hacia
  • Regular patterns - Predictable grammar
  • Romance clarity - Easy to understand
  • Phonetic spelling - Consistent pronunciation

This story demonstrates how Novo Latino creates clear, accessible patterns while maintaining linguistic elegance for everyday communication.